|
|
::
|
|
|
::
|
|
|
::
|
|
|
::
|
|
|
::
|
|
|
::
|
|
|
::
|
|
|
::
|
|
|
::
|
|
| |
|
|
::
|
contact |
|
|
|
|
1990
"Lang ist das Leben..." 13'
solo piano
"47 lat. Nord, 3 long. Ouest" 6'
solo piano
First performance: January 1994, Paris
Conservatoire Rachmaninov
Malika Smati-Haddad
|
|
|
1992
La prédestination au labyrinthe
ou de la tellurique de l'esprit 9'
solo tape
First performance: October 1992, Paris
Conservatoire National Superieur de Musique
de Paris
Rumeurs d'étoiles 13'
eight cellos
First performance: November 1994, Paris
Conservatoire National Superieur de Musique
de Paris
l'Atelier Instrumental du Conservatoire,
conducted by Alain Bancquart
Des ciels gris de cristal 12'
alto fl, Bb cl, vln, vcl
First performance: June 1994, Gif-sur-Yvette
Pierre-Yves Artaud, E. Lamaison, V. Descharmes,
P. Morlet
|
|
|
1994
Was ist das -"ist"? 17'
solo violin
First performance: July 1994, Darmstadt
Ferienkursen fur Musik
Nicolas Miribel
"...et..." 12'
orchestra
|
|
|
1995
Innere Ferne 2' 30''
bass fl, french horn, vib, harp
First performance: May 1995, Paris
Colegio de Espana, ORME concerts,
Chibaru, Delcroix, Astier, Gavazzi
conducted by Karim Haddad
Double Paysage (flute version) 7'
solo flute
First performance: July 1995, Paris
Lucero festival
Pierre-Yves Artaud
|
|
|
1996
Ce qui dort dans l'ombre sacrée 7' 30''
solo double bass and electronics
First performance: February 1996, Paris,
Radio France, Festival Presence
Itineraire ensemble
Jean-Pierre Robert
Double Paysage (four flutes version) 7'
four flutes
|
|
|
1997
Die Gipfel der Zeit 15' (*)
solo violin
First performance: June 1998, Paris
Institut culturel Italien
Nicolas Miribel
|
|
|
1998
Noch eins ist aber zu sagen... 33' (*)
2 sopranos, fl (dbl-bass), cl (bass/dbl-bass),
french horn,trbn, elec. guitar, string orchestra
and electronics
First performance : June 1999, Paris
Radio-France
Julie Hassler, Olga Pitarch
Orchestre Philarmonique de Radio-France
Conducted by Laurent Cuniot
Something always remains 15 ' (*)
bass flute, 2 violins and bass drum
First performance: May 1998, Lisbon
Gulbenkian foundation
22nd Gulbenkian Encounters
Ensemble Instrumental Futurs-Musiques
conducted by Alain Bancquart
Tales for tomorrow 7'
solo percussionist
In te anime meus tempora metior 13' (*)
soprano, french horn, electric guitar, double bass,
bass drum and electronics.
First recording: May 1999, Radio France
Alla breve program
Isabel Soccoja, Pierre-Yves Bens, Octavio Lopez,
Jean-Pierre Robert and Florent Jodelet.
|
|
|
1999
Exiles 5'
alto flute
First performance: March 1999, Paris
Sophie Deshayes
I can only say,there we have been:
but I cannot say where 13'
for double bass and ensemble
First performance: Decembre 1999, Dijon-France
Jean-Pierre Robert & the ensemble of Dijon
Ash-Wednesday 7' 33''
solo tape
Unus dies par omni est. 34' (*)
solo tape
|
|
|
2001
... and the leaves are full of voices ... 11' (*)
solo violin
First performance: April 2001, Paris
UNESCO
Nicolas Miribel
... and I have tried to keep them from falling. 5' (*)
string trio
First performance: August 2001, Nancy
Rencontres Musicales de Lorraine
ProArte String Trio
No one to speak their names
(now that they are gone) 11' (*)
electric guitar, string trio and electronics
First performance: October 2001, Paris
Territoires polychromes Festival
Yvap Quartet
|
|
|
2003
In lieblicher Blaue... 7'
doublebass, bass saxophone, tape and electronics
First performance: February 2003, Beziers
Reina Portuando, Daniel Kienzy & Jean-Pierre Robert
"...und wozu Dichter in durftiger Zeit?..." 15' (*)
For twelve instruments and electrtonics
First preformance : April 2003, Paris
Radio France
Ensemble 2e2m
conducted by Paul Mefano
|
|
|
2004
"Tal vez tenemos tiempo" 17' (*)
for dbass flute, dbass clarinette, french horn, cello and electronics
First performance: March 2004, Madrid
2e2m ensemble
Adagio for string quartet 5' (*)
String Quartet
First preformance : September 2004, Paris
Radio France
Diotima String Quartet
Nicolas Miribel, Eichi Chijiwa, Franck Chevalier and Pierre Morlet
Menons Klagen um Diotima 10' (*)
Tape and Video art
(Music : Karim Haddad - Video : Netochka Nezvanova)
First preformance : October 2004, Berlin
Pergamon Museum
|
|
|
2005
"First Attemped Escape from Silence: Tunnels" 16'
First act from the opera " Seven Attempted Escapes from Silence"
Libretto : Jonathan Safran Foer
First performance: September 2005, Berlin
Staatsoper Berlin, 2005
|
|
|
2007
Livre premier de Motets 40'
for two to five voices
Andenken 12'
solo violin
First preformance : October 2007, Madrid
Museo Thyssen-Bornemisza
Madrid, Spain
Nicolas Miribel
|
|
|
2008
Purple Cloud on the Edge of the Invisible Sea 6'
For Theorbe solo
Wir sind die Treibenden 20'
for mezzo soprano and flute ensemble
(6 alto flutes, 6 bass flutes and 4 octobass flutes)
First preformance : April 2008, Paris
Salle Cortot, Ecole Normale de Musique
Coralie Diatkine (mezzo soprano) and the OFF flute ensemble
Conducted by Pierre-Alain Biget
|
|
|
NOTE:
The compositions marked with (*) belong to the "Das Werden im Vergehen" cycle which is still in progress.
|
|
|